Title: « L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTAGE DE MIDI DE PAUL CLAUDEL
Author, co-author: Deregnoncourt, Marine
Abstract: In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this article will be divided into three parts. In the first part, the locution « mystic ophelisation » will be consider. What is it exactly ? Why do we associate this female name and this phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we will try to answer these questions.
Author, co-author: Deregnoncourt, Marine
Abstract: In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this article will be divided into three parts. In the first part, the locution « mystic ophelisation » will be consider. What is it exactly ? Why do we associate this female name and this phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we will try to answer these questions.